Whatever.

the-middle-eastern-feminist: Poverty is systematic oppression.

goawfma:

a story in three acts

catchymemes:

New Pixie and Brutus comic @pet_foolery

dankmemeuniversity:

millennial-review:

pudge-alicious:

emotionalempowerer:
this is too much for me rn

pudge-alicious: justsomeantifas: them: comedy doesnt write itself reality coming in hot with a rude...

xeppeli:

redheartgrenade:
omgtsn:
apple breaks up fight between two magnets
its just played backwards
your truly ignorant. this apple is a hero; a pacifist

warandpeas:

This was one of our exclusive comics for Patreon. If you are interested in supporting us and also reading exclusive comics, please follow this link :)

pudge-alicious:

especially when you’re lactose intolerant

pudge-alicious: fandomsandfeminism: thatmetalbenderlinbeifong: quietstorm-thundathighs: facts I...

wonderytho:

Meirl

wonderytho:

meirl

positive-memes:

You Found the most real buddy in the party .

mrrobotico: 0mpcost: chiripepe: coconutwatersheetmask: hotgirltori: coconutwatersheetmask: Me...

fuckyeahlgbtqartists:

Every breath we drew (2011- )
Every breath we drew explores the power of identity, desire, and connection through portraits of myself and others. Working within the framework of queer experience and from my actively constructed sense of masculinity, my portraits examine the intersection between private, individual identity and the search for intimate connection with others. I photograph people in their homes, often in their bedrooms, using medium and large format cameras to create a deep, sustained engagement, resulting in an intimate and detailed portrait.
I combine formal portraits, images of couples, self-portraits, and photographs of my own romantic relationship to investigate broader themes of identity and connection while also speaking to my private, individual experience. The photographs of men and masculine individuals act as a kind of mirror; they depict the type of gentle masculinity I am attracted to, yet also the kind I want to embody. Similarly, the photographs of relationships speak to a drive to be seen, understood, and desired through the eyes of a another person; a reflection of the self as the ultimate intimate connection.
By asking others to be vulnerable with me through the act of being photographed, I am laying claim to what I find beautiful and powerful while asking larger questions about how identity is formed, desire is expressed, and intimate connection is sought. (source)

That person in the 3rd pic looks like one of my ex’s.

historicaltimes:

Los Angeles around 1930 - An ostrich carriage beeing stopped by the police for crossing the speed limit.
via reddit

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